For reality junkies who lack the good-natured friendliness that shows itself as The Great British Pastry Fair can offer, could we suggest Do it ? the Nick offerman and Amy Poehler produced and hosted the craft series is in its third season on NBC and regularly provides some of the most inspiring and heartwarming human connection moments of the summer. While this is apparently a show for creators and makers, it’s also a show about friendship, potential, and, thanks to Offerman and Poehler, the real transformative power of a good game of words.
The third season of do it kicked off last week with a surprise twist ending (spoiler ahead if you haven’t seen it) not only found the show do not eliminate a competitor but add two other manufacturers to the mix. We spoke to Offerman about his aversion to âmean television,â which he calls âcrass,â as well as why he sees himself as some sort of Hollywood scoop.
The AV Club: do it has such an atmosphere of support and encouragement. Why is this important to you? You’ve even found a way to double that vibe this season, choosing not to eliminate anyone in episode one and adding two new contestants instead. How did it happen?
Nick Offerman: I don’t like mean television. I especially don’t like it when it comes to real people, like reality shows that are designed to make people cry or cause them pain and we’re supposed to be happy about it. [as viewers]. It’s disgusting. I would like to see this person receive a hug right away. And so when Amy launched [Making It] to me it literally sounded like it was a show that would do just that. It would encourage people to do things with their own hands and to sink or swim. The show would throw its arms around people and audience and say, âLook at this amazing thing that we humans can do. We can do it! There is no limit to the things we can do with our imagination and creativity.
Life is hard and strewn with pitfalls, especially in recent years. It got pretty dark. Being able to say, “If you’ve got a bunch of popsicle sticks, a hot glue gun, and a ball of string, look how much fun you can have.” Look at how much joy and affection you can pour out on yourself, but also on those around you âand so on and so on – I prefer to be on the side of life that creates and flourishes rather than the side of life that creates and flourishes. side of life that is destroy or consume.
As for the second part of your question, Amy [Poehler] and me, that’s our strategy from the start. “How do we get the network to let us take nobody off this competitive show?” This is the ultimate goal. Hopefully, we don’t rest until we get it right and only add one person to each episode until the finale has around 20 contestants. Until we get there, I think we failed.
We definitely got our first victory. So that’s NBC: two, Nick and Amy: one.
AVC: This is the third season of the series. How much pressure is there to innovate every season?
NO: There is a lot of discussion. Everything is so, so malleable these days. Month after month, streaming platforms and entertainment delivery systems continue to change, evolve and mutate. So every time we get to do another season, there are questions like, should we do seven minute episodes or should we do three hour episodes? Should we do a five episode season? Should we do a 50 episode season? And then the structure in the episodes is kind of tossed up and reassembled as well.
But so far we really like the way it works. Personally, I’m really like, “If it ain’t broke, don’t fix it”. So every time I come back for the new season and the smart people – that is, my fellow executive producers – they say, “Well, we’re talking to the network and this season is going to be about what you can. do for others with your crafts or how you can honor the planet and how you can honor the resources that we draw from nature. And I say, “Great. I’m here to do the show where we celebrate the people who make things. cool stuff, and I’m glad you got the amazing brains you do, because that sounds like a great idea.
AVC: You yourself are a maker; you are a carpenter, among others. Did the show inspire you to engage in other types of crafts?
NO: Well, it is. I find it incredibly inspiring, almost to the point of painful, because one of the weird puzzles in my personal life is that I have this wonderful lumber store in Los Angeles where I can do whatever I want with wood, and I’ve done a lot of things on my dream project list like different hand-built cedar wood furniture and canoes. Ukuleles are my current obsession on my way to guitars. The conundrum is that I was also very lucky to have a job as an actor and a writer, and that’s what I decided to do. I went to drama school. What I really want to do the most is give people storytelling medicine with the delivery system that is me, whatever that means. So my carpentry workshop takes a back seat. Then I’ll watch someone on the show weave a basket with rope and tie some clever knots, and I’ll say, “Oh my god, I want to go and sit under a tree in the shade and do that. during one week.” But the problem is, the week will never exist.
So the answer is yes. I’m so magically enthralled with so much talent on the show, but if I were to stop and say, “Hey, I wanna try that rope basket,” I’d say, “Hey buddy, you got I have these ukuleles waiting for you at the store â, and I was going to sayâ you’re right. I’d better go finish them before I start tying my knots.
AVC: activated Conan O’Brien’s podcast episode where he was talking to Barack Obama, the two were discussing how they enjoy and understand the writing profession, such as in fiction and non-fiction, but can’t understand what songwriters do. Is there some kind of maker or designer that you admire but can’t quite understand?
NO: I’m going to sort of relax a bit or be a bit general with you. It’s something that I’ve learned in my decades of working as an actor, and that it’s the people – whether they create on our show or create a TV show or write a novel. – these are the people with that expansive kind of view. I learned that I was a very good soldier. I am very good with a shovel. What I really need is a great general, a woman or a man who can see the battlefield and say, “Okay, that’s what we’re going to do in about 125 episodes of this comedy. You with the shovel, I need you to go up the hill and dig the most amazing trench, âand I’m amazing at that. I am very grateful to someone who can plan everything and who can use my shovel skills. Because when things have gone well for me, the company will say, âWould you like to put on a show? You should write a movie. And I say: “you know what? I don’t think I’m good at it. I think we should find someone who is good at writing these things and see if they could use a shovel in their project.
It is the same do it. When anyone can imagine – if we do a makeover where they turn a closet into a secret hideaway, or they turn a shed into their dream space – if someone gives me that challenge, I’d be like, “I can think of a really cool desk i would make for that. But beyond that i would immediately call my wife and say, “hey honey, what color? can you send us any wallpaper ideas> Because she’s one of those people who take care of our homes and so on. The house is her masterpiece. I’m sitting here in our guest room right now watching it all, and there’s a three legged stool that I made and there’s a four poster bed that one of my carpenters made in my store. It’s my thing, but I need the Megan Mullallys and Mike Schurs of the world say, âWe’re going to create a bigger build.â Amy and her producing partners thought about our show. They ask me to do shows, and I say, âI don’t know. A show on a shovel? A shovel thing? I mean, there are all kinds. You can dig down. Can you spread things with a shovel? And they say, “We’re really going to need more. “
AVC: There are a lot of streaming services out there right now. Maybe someone will take a bite out of this shovel idea. We never know.
NO: We never know. I always thought I would end up being a superhero called The Shovel.